Articles
- Messages, Sages, and Ages vol. 10, no. 2, November 2023
- CULTURAL DIFFUSION AND THE MEDIA IMPACT OF LABOR MIGRATION: BRITISH-ROMANIAN PERSPECTIVES – Onoriu Colăcel
- GOING DOWN THE RABBIT HOLE OF WORDSMITHERY – Evelina Mezalina Graur
- THE MEANING OF HUMANITY AND THE UNBEARABLE EXISTENCE AS THE OTHER IN KAZUO ISHIGURO’S NEVER LET ME GO – Hreceniuc (Cîrdei) Evelina-Iulia
- Messages, Sages, and Ages vol. 10, no. 1, August 2023
- IMMANENTISM AND TRANSCENDENTALISM IN THE NARRATOLOGY OF DYSTOPIAN FICTION CONCEPTUALISATION – Ruth Naomi Lupu
- NINETEEN EIGHTY-FOUR BY GEORGE ORWELL AND THE SOCIAL MEDIA AGE BY ZOETANYA SUJON: LITERARY MOTIFS AND THE DIGITALISATION OF OUR SOCIETY – Ioana-Lăcrimioara Pelea
- PSYCHOANALYSIS OF FEMALE IDENTITY: JANE EYRE BY CHARLOTTE BRONTE AND THE YELLOW WALLPAPER BY CHARLOTTE PERKINS GILMAN – Cătălina Roșca
- GATEKEEPERS AND CONSENSUS IN TODAY’S ‘CULTURED’ CIRCLES – Cristina Badiu
- AGAIN BUT BETTER. THE REPRESENTATION OF THE CANADIAN IDENTITY IN THE 2017 ADAPTATION OF ANNE OF GREEN GABLES – Mirela Antonovici
- REFLECTIONS OF DRACULA IN CONTEMPORARY POPULAR CULTURE – Iuliana-Elena Asoltanei
- THE HUMAN BODY AS A COMMODITY IN KAZUO ISHIGURO’S NEVER LET ME GO – Evelina-Iulia Hreceniuc (Cîrdei)
- LABYRINTH OR ILLUSION: REPETITION AND VARIATION IN E.A. POE’S SHORT FICTION – Andreea Filip
- Messages, Sages and Ages, Vol. 9, No. 2, (2022)
- INTERETHNIC RELATIONSHIPS AS REFLECTED IN PLACE NAMES OF SOUTHERN TRANSYLVANIA – Andrea Maxiniuc
- SHAKESPEARE AND THE DIGITAL CREATIVE INDUSTRIES IN ROMANIA – Daniela Maria Marțole
- THE QUESTION OF THE IDEAL IN THE ARTS – Mariana Baloşescu / Porfirie Pescaru
- CULTURAL DIFFUSION AS DIFFUSE KNOWLEDGE: YOUNG ADULT FICTION (MY SWORDHAND IS SINGING, 2006) AND COMEDY COP SHOWS (COMRADE DETECTIVE, 2017) – Onoriu Colăcel
- Messages, Sages and Ages, Vol. 9, No. 1, (2022)
- CHARACTER AND INTERTEXTUALITY: THE INTERPLAY BETWEEN THE TEMPEST (W. SHAKESPEARE) AND THE COLLECTOR (J. FOWLES) -Bogdana Silvia Muntean
- METALEPTIC LOVE IN THE ENGLISH-CANADIAN POSTMODERN NOVEL – Monika Leferman
- PATTERNS OF CONSCIOUSNESS REPRESENTATION. LANGUAGE AND THINKING IN DYSTOPIAN FICTION -Larisa-Ilaria Tabără
- MODERN AND POSTMODERN LITERARY DEVICES IN MARGARET ATWOODʼS DEATH BY LANDSCAPE – Cristina Nechifor
- FORMS OF IRONY IN MIHAI EMINESCU’S AND MARIN SORESCU’S POETRY – Simina Lazăr
- LAYERS OF MEANING IN MODERN POP LYRICS IN THE 80S – Silviu-Paul Babiuc
- TRANSLATING (MR. BENNET’S) MOCKERY: TWO ROMANIAN VERSIONS OF JANE AUSTEN’S PRIDE AND PREJUDICE – Mirela Antonovici
- PRESENTISM AND ANXIETIES OF INFLUENCE REVISITED: TWO ROMANIAN VERSIONS OF OSCAR WILDE’S “THE DEVOTED FRIEND” – Denisa Lidia Gafencu
- VERB TENSES IN MEDIA TEXTS: HALF-CONCEALING, HALF-DISCLOSING HEADLINES – Bianca-Iuliana Scutaru
- A SYNTACTIC APPROACH TO LAURENCE STERNE’S DIGRESSIVE STYLE IN THE LIFE AND OPINIONS OF TRISTRAM SHANDY, GENTLEMAN – Cristina-Elena Brudea
- Messages, Sages and Ages, Vol. 8, No. 2, (2021)
- OLD W(H)INE IN NEW BOTTLES: FROM GOTH GIRL’S INTERTEXTUAL FLAVOURS TO TRANSLATING CULTURAL OMNIVOROUSNESS – Daniela Hăisan
- DRAMATIC TRANSACTIONS IN THE DISCOURSE OF ADVERTISING – Iuliana Apetri
- TIME IS MONEY – A CRITICAL ANALYSIS OF ECONOMIC DISCOURSE – Petru Ioan Marian-Arnat
- IN PURSUIT OF ONE’S SELF-INTEREST: AYN RAND’S LITERATURE AND RIGHT-WING POPULIST DISCOURSES IN ROMANIAN MEDIA – Onoriu Colăcel
- Messages, Sages and Ages, Vol. 8, No. 1, (2021)
- ANDREÏ MAKINE’S ENTRE-DEUX-MONDES: DUALITY AND (MIS)ADJUSTMENT – Cristina Ţurac-Drahta
- (MIS)MATCHING CULTURES. WUTHERING HEIGHTS: TRANSLATION JOURNEY IN THE WORLD OF ROMANCE LANGUAGES – Daniela Maria Marțole
- (MIS)REMEMBRANCE OF THINGS PAST: OTILIA CAZIMIR AS AN AUTHOR-TRANSLATOR – Daniela Hăisan
- THE PARATEXT OF RELOCATION NARRATIVES ACROSS LANGUAGES – Nicoleta-Loredana Moroşan
- ADVERTISING AS A SPACE OF ICONOTEXTUAL PLURICODIFICATION: (MIS)LEADING MESSAGES – Iuliana Apetri
- FAKE NEWS AND THE SPREAD OF ONLINE (MIS)INFORMATION – Mădălina-Maria Toma
- ACHIEVING UNEQUIVOCAL EMPHASIS IN ENGLISH BY PSEUDO-CLEFTING – Valentina Curelariu
- Messages, Sages and Ages, Vol. 7, No. 2 (2020)
- WRITING ABOUT NATURE: AN ECOCRITICAL AND TECHNOBIOPHILIAC PERSPECTIVE – Josie Arnold
- SELF AND SPACE IN AFTER-POSTMODERNISM: LATİFE TEKİN’S “MANVES CITY” AND JENNI FAGAN’S “THE PANOPTICON” – Hilal Kaya
- THE NARRATIVE PARADIGM IN CONSPIRACY THEORIES – Petru Ioan Marian-Arnat
- THE TOWER OF SUCEAVA AND THE DYNAMICS OF ETHICAL IMAGINATION IN POSTMODERN URBAN SPACES – Mariana Boca
- WOMEN’S CONDITION AND SOCIAL EXPECTATIONS: FEMALE CHARACTERS IN SYLVIA PLATH’S “THE BELL JAR” AND SILVIU ANGELESCU’S “THE FORGERERS” – Simina-Ioana Anton
- Messages, Sages and Ages, Vol. 7, No. 1, (2020)
- REVOLUTIONIZING TROPES OF THE IRISH PEASANT: MÁIRTÍN Ó CADHAIN’S IMAGINATIVE ENCOUNTERS WITH MAXIM GORKY – Aoileann Ní Éigeartaigh
- UNDER THE SEA: THE DEPICTION OF GENDER ROLES AND FEMININITY IN ‘THE LITTLE MERMAID’ – Aisling Hoey
- COMMUNITY AFFAIRS: REWRITING THE TEMPEST IN THE SERVICE OF ART AND CIVILISATION – Marian Rebei
- OMG SHAKESPEARE: IDENTITY CONSTRUCTIONS IN SOCIAL MEDIA – Iulia-Andreea Milică
- Messages, Sages and Ages, Vol. 6, No. 2, (2019)
- MARK RAVENHILL’S ENCOUNTER WITH DELEUZE AND GUATTARI: THE ULTIMATE BODY IN SHOPPING AND FUCKING – Tatiana Golban & Sibel Kılınç
- (STEREO)TYPICAL ISSUES IN TEACHING AND LEARNING NOUNS AND NOUN PHRASES – Daniela Hăisan
- THE POWER OF STORYTELLING: FOLKLORIC ARCHETYPES AND THEIR INFLUENCE ON CHARACTER SHAPING IN FELICIA LUNA LEMUS’ TRACE ELEMENTS OF RANDOM TEA PARTIES – Martina Braunegger
- CLEFTING: A STEREOTYPICAL BUT RESOURCEFUL AND HANDY TRANSFORMATION OF THE ENGLISH SIMPLE SENTENCE – Valentina Curelariu
- THE FESTSCHRIFT: TYPICALITIES OF THE GENRE – Onoriu Colăcel
- CAUGHT IN THE LABYRINTH OF INTERPRETATION. THE QUEST FOR IDENTITY IN A PORTRAIT OF THE ARTIST AS A YOUNG MAN AND LANARK – Daniela Maria Marțole
- Messages, Sages and Ages, Vol. 6, No. 1, (2019)
- READING REALITY THROUGH SCIENCE FICTION – Roberto Paura & Onoriu Colăcel
- TRUE NAMES, TRUE NYMS. THE POWER OF TECHNOLOGY AND THE FUTURE OF IDENTITY – Enrico Beltramini
- SF NARRATIVES AND THE ORIGINS OF (CULTURAL) REALITY – Katarzyna Filutowska
- RE-CYCLING THE ISLAND-TROPE IN CONTEMPORARY SCIENCE FICTION: MORTAL ENGINES (2018) – Monika Kosa
- HUMAN INTERACTIONS WITH TECHNOLOGY: INVESTIGATING THE POSTHUMAN IN HBO’s WESTWORLD – Zita Hüsing
- THE WARNING FUNCTION OF POST-APOCALYPTIC SCIENCE FICTION – Kateřina Houfková
- DEATH POSTPONED: CRYONICS AND A TRANSHUMAN FUTURE – Aline Ferreira
- Messages, Sages and Ages, Vol. 5, No. 2, (2018)
- “FRANTIC FUN AND HIGH SPIRITS”: NAVIGATING THE URBAN OBSCENE IN PETER ACKROYD’S QUEER CITY – Fabian Ivanovici
- KNOWING FROM WITHIN: THE OBSCENE BODY IN “THE SQUAW” – Luminiţa Elena Turcu
- HARDCORE HORROR: THE PLEASURES AND DISPLEASURES OF BREAKING CINEMATIC TABOOS – Jennifer Drissel
- Messages, Sages and Ages, Vol. 5, No. 1, (2018)
- SPATIAL METAPHORS AND HAUNTED SPACE: SEMANTICS OF ARCHITECTURAL THERAPEUTIC ENCOUNTERS – STEPHANIE LIDDICOAT
- NARRATED VIRTUAL ENVIRONMENTS: STORYTELLING AND THE CONSTRUCTION OF VIDEO GAME SPACES – DIANA MELNIC
- “VOWELS PLOUGHED INTO OTHER: OPENED GROUND”: DIGGING THROUGH HISTORY IN THE HAUNTED LANDSCAPES OF SEAMUS HEANEY’S POETRY – AOILEANN NÍ ÉIGEARTAIGH
- MACABRE AND GRAVE-NOURISHED FANTASY IN EDGAR ALLAN POE’S HAUNTED HOUSES – JUSTINE SHU-TING KAO
- Messages, Sages and Ages, Vol. 4, No. 2, (2017)
- CAPITALISTS, SPIES AND ALIENS: CONSPIRACY THEORIES IN BULGARIA – TODOR HRISTOV
- LIVING IN THE MATRIX: HOW A SCIENTIFIC CONJECTURE WAS TURNED INTO A CONSPIRACY THEORY – ROBERTO PAURA
- FROM LITERARY CULTURE TO POST-COMMUNIST MEDIA: ROMANIAN CONSPIRACISM – ONORIU COLĂCEL & CORNELIU PINTILESCU
- CONSPIRING AGAINST THE GULLIBLE: NOTES ON GULLIVER’S TRAVELS AS UNIVERSAL SATIRE IN THE GUISE OF PARANOID DISCOURSE – DAN NICOLAE POPESCU
- (PERI)TEXTUALITY AND A SKYSCRAPER OF FOOTNOTES: ALPHONSE DAUDET’S LA DOULOU AS TRANSLATED BY JULIAN BARNES – DANIELA HĂISAN
- Messages, Sages and Ages, Vol. 4, No. 1, (2017)
- GERHARD RICHTER’S CRITICAL ARTISTIC STRATEGIES: POLITICS, TERRORISM AND WAR – Randall K. Van Schepen
- A STUDY OF THE THIRD SPACE, HYBRIDITY, AND COLONIAL MIMICRY IN ATHOL FUGARD’S MY CHILDREN! MY AFRICA! – Parvin Ghasemi, Samira Sasani, Fatereh Nemati
- TRANSYLVANIAN SAXON CHARMS AS PART OF OLD GERMANIC FOLKLORE – Andrea Bargan
- SPEECH ACTS IN POST-APOCALYPTIC GAMES: THE LAST OF US (2014) – Onoriu Colăcel
- Messages, Sages and Ages, Vol. 3, No. 2, (2016)
- (IR)REVERENTLY TELLING THE OTHERNESS THROUGH PARATEXTUAL NARRATIVE
- SUPERSTITIONS BETWEEN USEFULNESS AND STRIFE
- VISUAL COMMUNICATION – THE TEXT-IMAGE RELATIONSHIPS IN GUNTER GRASS’ NOVEL ‘DER BUTT’
- BETWEEN THE NORMATIVE AND THE PERFORMATIVE: SEX, PARODY, AND OTHER (IN)TRACTABLE ISSUES IN GEOFFREY CHAUCER’S MILLER S TALE
- FIVE STORIES ON LOVE AND TECHNOLOGY
- TEACHING THE NATION: LITERATURE AND HISTORY IN TEACHING ENGLISH
- THE STATUS OF WILLIAM CARLOS WILLIAMS IN AMERICAN MODERNISM
- THE LANGUAGE OF ROMANIAN POLITICS: REIFYING THE OTHER
- EDIBLES AND OTHER OFFERINGS TO READERS: THE POLITICS OF GENDER AND FOOD IN NARRATIVE FICTION
- Messages, Sages and Ages, Vol. 3, No. 1, (2016)
- BY LOOKING LIKING: BAZ LUHRMANN S WILLIAM SHAKESPEARE S ROMEO+JULIET
- MATERNITY AND ABSENCE IN SHAKESPEAREAN ROMANCE
- ADAPTING SHAKESPEARE – CONVERTING SHYLOCK IN MICHAEL RADFORD’S THE MERCHANT OF VENICE
- THE NEW ROMANIAN SHAKESPEARE SERIES ON THE MOVE: FROM PAGE TO STAGE AND SCREEN
- RELIGION AND CULTURAL IDENTITY IN SHAKESPEARE’S ROMEO AND JULIET AND THE MUSICAL WORKS IT INSPIRED
- REWRITING AND APPROPRIATING FRANCESCO GUICCIARDINI’S STORIA D’ITALIA IN ELIZABETHAN ENGLAND: GEOFFREY FENTON’S TRANSLATION AND SHAKESPEARE’S HENRY V
- ETHNOCENTRIC TENDENCIES IN THE ROMANIAN TRANSLATIONS OF MACBETH
- REGIONAL IDENTIFICATION IN PRESENT DAY ROMANIA. THE CASE STUDY OF SUCEAVA COUNTY
- REMEDIATING GLOBAL MEDIA IN RECENT SHAKESPEARE PRODUCTIONS ON ROMANIAN STAGES
- Messages, Sages, and Ages, Vol. 2, No. 2, (2015)
- AN ETYMOLOGICAL PROPOSITION: OLD GERMANIC GOD-SPOD GOOD FORTUNE AS SOURCE OF OLD CHURCH SLAVONIC GOSPOD LORD, MASTER
- THE PROBABLE OLD GERMANIC ORIGIN OF ROMANIAN iele (evil) fairies
- SUCEAVA ON CAMERA: THE COUNTY COUNCIL AND LOCAL SELF-IDENTIFICATION IN 21ST CENTURY ROMANIA
- SENTENCE-IDENTITY BUILDING: A SYNTACTIC RESOLUTION OF AMPHIBOLY CAUSED BY PREPOSITIONAL-PHRASE ATTACHMENT
- VEILED TRUTH IN ENDURING LOVE AND ATONEMENT
- CANON, CLASSICS, TRADITION: DEMARCATION OF THE TERMS
- A PERSON NOT IN THE STORY: CLERAMBAULT S AND M. R. JAMES S TEXTILE/TEXTUAL FOLDS
- POST-TOURISM AND THE MOTIF OF REGRESSION IN JULIAN BARNES S ENGLAND, ENGLAND
- THE EXISTENTIAL DEMOCRACY AND ITS PUBLIC INTELLECTUAL The Surprising and Unsettling Challenges Arising from our Inter-connected Information Society
- THE AESTHETIC INDIVIDUAL AND THE NEW SOUTH IN THE AGE OF ALIENATION IN WALKER PERCY’S “THE MOVIEGOER”
- NEGOTIATION AND DISCURSIVE CONFLICT WITHIN OPINION: PUBLIC VS. PRIVATE IN THE SOCIAL ROMANIAN IMAGINARY
- NATIONAL IMAGES IN THE MEDIA AND IN TRAVEL WRITING
- ETHNIC BIAS IN THE RECEPTION OF ADOLPHE STERN’S TRANSLATIONS OF “HAMLET” AND “MACBETH”
- Messages, Sages and Ages, Vol. 3, No. 2, (2016)
- THE EXISTENTIAL DEMOCRACY AND ITS PUBLIC INTELLECTUAL The Surprising and Unsettling Challenges Arising from our Inter-connected Information Society
- POST-TOURISM AND THE MOTIF OF REGRESSION IN JULIAN BARNES S ENGLAND, ENGLAND
- A PERSON NOT IN THE STORY: CLERAMBAULT S AND M. R. JAMES S TEXTILE/TEXTUAL FOLDS
- CANON, CLASSICS, TRADITION: DEMARCATION OF THE TERMS
- VEILED TRUTH IN ENDURING LOVE AND ATONEMENT
- SENTENCE-IDENTITY BUILDING: A SYNTACTIC RESOLUTION OF AMPHIBOLY CAUSED BY PREPOSITIONAL-PHRASE ATTACHMENT
- SUCEAVA ON CAMERA: THE COUNTY COUNCIL AND LOCAL SELF-IDENTIFICATION IN 21ST CENTURY ROMANIA
- THE PROBABLE OLD GERMANIC ORIGIN OF ROMANIAN iele (evil) fairies
- AN ETYMOLOGICAL PROPOSITION: OLD GERMANIC GOD-SPOD GOOD FORTUNE AS SOURCE OF OLD CHURCH SLAVONIC GOSPOD LORD, MASTER
- SPACE, GENDER, AND ECONOMY IN “THE PLACE BEYOND THE PINES”. ANTHROPOLOGICAL CONSIDERATIONS ON 2013 URBAN INTER-ACTION
- THE SCOTLAND IN FIFE – SPACE AND IDENTITY IN IRVINE WELSH’S “KINGDOM OF FIFE”
- JOHN KENNEDY TOOLE S “THE NEON BIBLE”: THE PSEUDO-MEMOIRS OF A DEEP SOUTH MARGINAL
- NEW HUMANITIES TODAY