In the aftermath of the 1989 Revolution, Romanian mainstream culture set out to reclaim the pre-Communist legacy of the country. The ‘golden age’ of interwar was the obvious choice; both popular and academic debates on Romanian identity looked back at…
THE AESTHETIC INDIVIDUAL AND THE NEW SOUTH IN THE AGE OF ALIENATION IN WALKER PERCY’S “THE MOVIEGOER”
This paper addresses Walker Percy’s first novel, The Moviegoer, tracing the use of existentialist tropes in its narrative construction in order to delineate the problematic condition of the human individual in the postwar South. The protagonist’s search for an authentic…
NEGOTIATION AND DISCURSIVE CONFLICT WITHIN OPINION: PUBLIC VS. PRIVATE IN THE SOCIAL ROMANIAN IMAGINARY
The paper approaches contemporary Romanian media in order to outline negotiation and discursive conflict strategies in public storytelling about the country’s recent history. In the so-called Romanian social imaginary, notions of public versus private highlight the way public officials resort…
NATIONAL IMAGES IN THE MEDIA AND IN TRAVEL WRITING
The image that Romania has abroad represents, especially from a journalistic perspective, a more and more fashionable topic, although the westerners’ interest in this ‘different’ country is not that recent. What is recent is the self-awareness that Romanians are starting…
ETHNIC BIAS IN THE RECEPTION OF ADOLPHE STERN’S TRANSLATIONS OF “HAMLET” AND “MACBETH”
This paper focuses on the way in which cultural misrepresentations interfere with the reading of the Romanian versions of Shakespeare’s Hamlet and Macbeth by Adolphe Stern, a Romanian translator of Jewish descent. The two main critical articles are authored by…